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Shortly after The Economist went to press,about 25,000 people were expected to tum up at the London An Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well ihey mighl be."I can eam a year's living in one fair,"said one harried dealer while slringing up a set of lights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the cap-ital.Roughly 90 will iake place worldwide.The success of larger events such as Fneze,which star ted in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Artl4,which started last year,specialises in less weU-known intemational galleries,showing art from Sub-Sahuan Africa,South Korea and Hong Kong.One explanation for the boom is the overall gromth of the modem-art market.Four-rifths of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m,easily breaking the previous record.As older art becomes harder to buy-much of it is locked up in museums-demand for recent works js rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I sttuled 23 years ago I had not a single non-Westem foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy art differenLly.They often spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suiLable.Commercial galleries used to rely on regular visits from rich Briions seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to evenLs and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties thaL spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bernard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him of his father,a chemist,who was eclipsed by a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevel-opment;five more may follow later this year.Yet the rise of the fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an inlernational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond Lhe city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the size of his store."It's a little like fishing,"he explains."You move to where the pike is."
Kenny Schachter says that
Kenny Schachter says that
A.gallery owners can make deals on the Internet.
B.many art buyers are trom non-westerm countries now.
C.the change of art markel has exerted pressure on him.
D.dealers can make a great deal of money at the art fair.
E.many people visiting galleries are not potential customers.
F.rich Britons regularly pay a visit to the commercial galleries.
G.very few art exhibitions were held al the end of the 20th century.
B.many art buyers are trom non-westerm countries now.
C.the change of art markel has exerted pressure on him.
D.dealers can make a great deal of money at the art fair.
E.many people visiting galleries are not potential customers.
F.rich Britons regularly pay a visit to the commercial galleries.
G.very few art exhibitions were held al the end of the 20th century.
参考答案
参考解析
解析：根据Kenny Schachter定位到第四段第二、三行：“When I started 23 years ago I had not a single non-Westem foreign buyer，”says Kenny Schachter,an art dealer.“It's a different world now.”而该段首句还提到：London's art market in particular has been boosted byan influx of rich immigrants from Russ18．China and the Middle East.综合这几个句子可以得出结论：如今许多艺术品购买者来自非西方国家。故选项[B]为正确答案。
更多 “Shortly after The Economist went to press,about 25,000 people were expected to tum up at the London An Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well ihey mighl be."I can eam a year's living in one fair,"said one harried dealer while slringing up a set of lights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the cap-ital.Roughly 90 will iake place worldwide.The success of larger events such as Fneze,which star ted in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Artl4,which started last year,specialises in less weU-known intemational galleries,showing art from Sub-Sahuan Africa,South Korea and Hong Kong.One explanation for the boom is the overall gromth of the modem-art market.Four-rifths of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m,easily breaking the previous record.As older art becomes harder to buy-much of it is locked up in museums-demand for recent works js rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I sttuled 23 years ago I had not a single non-Westem foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy art differenLly.They often spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suiLable.Commercial galleries used to rely on regular visits from rich Briions seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to evenLs and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties thaL spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bernard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him of his father,a chemist,who was eclipsed by a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevel-opment;five more may follow later this year.Yet the rise of the fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an inlernational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond Lhe city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the size of his store."It's a little like fishing,"he explains."You move to where the pike is." Kenny Schachter says thatA.gallery owners can make deals on the Internet.B.many art buyers are trom non-westerm countries now.C.the change of art markel has exerted pressure on him.D.dealers can make a great deal of money at the art fair.E.many people visiting galleries are not potential customers. F.rich Britons regularly pay a visit to the commercial galleries. G.very few art exhibitions were held al the end of the 20th century.” 相关考题
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根据下列材料请回答 26～30 题：BToday there are policemen everywhere, but in 1700, London had no policemen at all. A few old men used to protect the city streets at night and they were not paid.About 300 years ago, London was starting to get bigger and more and more people began to live there. The city was very dirty and many people were poor. There were so many thieves who stole money in the streets that people stayed in their homes as much as possible.In 1750, Henry Fielding started to pay a group of people to stop thieves. They were like policemen and were called "Bow Street Runners" because they worked near Bow Street.Fifty years later, there were 120 "Bow Street Runners", but London had become very big and needed more policemen. So in 1829, the first Metropolitan (or London)Police Force was started with 3,000 officers. Most of the men worked on foot, but a few rode horses. Until 1920 all the police in London were men.Today. the London police are quite well paid and for the few police officers who still ride horses, the pay is even better than for the others.第 26 题 In 1700, the men who protected the streets were paid __________.A． a fewB． nothingC． a littleD． a lot
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Before relativistic particle physics, the constituents of matter had always been considered as being either elementary units which were indestructible and unchangeable, or as composite objects which could be broken up into their constituent parts;
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12 PEOPLE KILLED, 50 INJURED IN DENVER MOVIE THEATER SHOOTING LOS ANGELES, July 20 (Xinhua) -- A masked gunman released tear gas and opened fire into a crowded movie theater in a suburb of Denver early Friday, killing 12 people and injuring at least 50 others, police said. Aurora Police Chief Dan Oates told reporters that the shooter, aged 24, had been arrested in the parking lot behind the theater. The FBI said there was so far no indication of any links to terror groups. Some moviegoers said they thought the attack was part of the show when they saw a person appearing at the front of the theater during the movie, pointing a gun at the crowd. Police and firefighters rushed to the mall shortly after the shootings occurred at around 12:30 a.m. local time (0630 GMT). CNN reported at least 20 people were being treated for gunshot wounds in hospital, three of them in serious condition.1. In the shooting, 50 people were killed and 12 people were injured.()2. The shooter was arrested.()3. The FBI said that the shooter was from the terror groups.()4. The moviegoers didn’t realize the person would shoot at the crowd at first.()5. Only the police went to the mall to help.()
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第二篇The Cherokee NationLong before the white man came to America,the land belonged to the American Indian nations.The nation of the Cherokees lived in what is now the southeastern part of the United States.After the white man came,the Cherokees copied many of their ways.One Cherokee named Sequoyah saw how important reading and writing were to the white man.He decided to invent a way to write down the spoken Cherokee language.He began by making word pictures.For each word he drew a picture.But that proved impossible一there were just too many words.Then he took the 85 sounds that made up the language.Using his own imagination and an English spelling book, Sequoyah invented a sign for each sound.His alphabet proved amazingly easy to learn.Before long,many Cherokees knew how to read and write in their own language.By 1828,they were even printing their own newspaper.In 1830,the U.S. Congress passed a law.It allowed the government to remove Indians from their lands.The Cherokees refused to go.They had lived on their lands for centuries.It belonged to them.Why should they go to a strange land far beyond the Mississippi River?The army was sent to drive the Cherokees out.Soldiers surrounded their villages and marched them at gunpoint（在枪口的威胁下）into the western territory. The sick, the old and the small children went in carts,along with their belongings.The rest of the people marched on foot or rode on horseback.It was November,yet many of them still wore their summer clothes.Cold and hungry,the Cherokees were quickly exhausted by the hardships of the journey.Many dropped dead and were buried by the roadside.When the last group arrived in their new home in March 1839,more than 4,000 had died.It was indeed a march of death.Which of the following statements about Sequoyah is NOT true?A:He was imaginative.B:He was an Indian.C:He was a white man.D:He wrote down the spoken Cherokee language.
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第二篇The Cherokee NationLong before the white man came to America,the land belonged to the American Indian nations.The nation of the Cherokees lived in what is now the southeastern part of the United States.After the white man came,the Cherokees copied many of their ways.One Cherokee named Sequoyah saw how important reading and writing were to the white man.He decided to invent a way to write down the spoken Cherokee language.He began by making word pictures.For each word he drew a picture.But that proved impossible一there were just too many words.Then he took the 85 sounds that made up the language.Using his own imagination and an English spelling book, Sequoyah invented a sign for each sound.His alphabet proved amazingly easy to learn.Before long,many Cherokees knew how to read and write in their own language.By 1828,they were even printing their own newspaper.In 1830,the U.S. Congress passed a law.It allowed the government to remove Indians from their lands.The Cherokees refused to go.They had lived on their lands for centuries.It belonged to them.Why should they go to a strange land far beyond the Mississippi River?The army was sent to drive the Cherokees out.Soldiers surrounded their villages and marched them at gunpoint（在枪口的威胁下）into the western territory. The sick, the old and the small children went in carts,along with their belongings.The rest of the people marched on foot or rode on horseback.It was November,yet many of them still wore their summer clothes.Cold and hungry,the Cherokees were quickly exhausted by the hardships of the journey.Many dropped dead and were buried by the roadside.When the last group arrived in their new home in March 1839,more than 4,000 had died.It was indeed a march of death.The word"exhausted"in the last paragraph could be best replaced byA:"worn out". B:"ended up".C:"run out". D:"finished up".
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第二篇The Cherokee NationLong before the white man came to America,the land belonged to the American Indian nations.The nation of the Cherokees lived in what is now the southeastern part of the United States.After the white man came,the Cherokees copied many of their ways.One Cherokee named Sequoyah saw how important reading and writing were to the white man.He decided to invent a way to write down the spoken Cherokee language.He began by making word pictures.For each word he drew a picture.But that proved impossible一there were just too many words.Then he took the 85 sounds that made up the language.Using his own imagination and an English spelling book, Sequoyah invented a sign for each sound.His alphabet proved amazingly easy to learn.Before long,many Cherokees knew how to read and write in their own language.By 1828,they were even printing their own newspaper.In 1830,the U.S. Congress passed a law.It allowed the government to remove Indians from their lands.The Cherokees refused to go.They had lived on their lands for centuries.It belonged to them.Why should they go to a strange land far beyond the Mississippi River?The army was sent to drive the Cherokees out.Soldiers surrounded their villages and marched them at gunpoint（在枪口的威胁下）into the western territory. The sick, the old and the small children went in carts,along with their belongings.The rest of the people marched on foot or rode on horseback.It was November,yet many of them still wore their summer clothes.Cold and hungry,the Cherokees were quickly exhausted by the hardships of the journey.Many dropped dead and were buried by the roadside.When the last group arrived in their new home in March 1839,more than 4,000 had died.It was indeed a march of death.The Cherokees went to their new landsA:in carts. B:on horseback.C:on foot. D:all of the above.
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Shortly after the accident, two___________ police were sent to the spot to keep order.A.dozens of
B.dozens
C.dozen of
D.dozen
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Janet as well as the other young people who ____ sent abroad by government ___ brought up in the small town.
A. was;was
B. was;were
C. were ;were
D. were ;was
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第三篇 The Body ThievesIn the early nineteenth century in Britain,many improvements were being made in the world of medicine.Doctors and surgeons were becoming more knowledgeable about thehuman body.Illnesses that had been fatal a few years before were now curable.However, surgeons had one problem.They needed dead bodies to cut up,or dissect（解剖）.This was the only way that they could learn about the flesh and bones inside the body,and the only way to teach new surgeons to carry out operations.The job of finding these dead bodies was carried out by an unpleasant group of people called "body snatchers". They went into graveyards（墓地）at night and, using woodenshovels to make less noise,dug up any recently buried bodies.Then they took the bodies to the medical schools and sold them.A body could be sold for between ￡5 and ￡10, which was a lot of money at that time.The doctors who paid the body snatchers had an agreement with them一they never asked any questions.They did not desire to know where the bodies came from,as long as they kept arriving.The most famous of these body snatchers were two men from Edinburgh called William Burke and Wil!iam Hare.Burke and Hare were different because they did not」ust dig up bodies from graveyards.They got greedy and thought of an easier way to find bodies. Instead of digging them up,they killed the poorer guests in Hare's small hotel.Dr Knox, the respected surgeon they worked for,never asked why all the bodies they brought him had been strangled（勒死）.For many years Burke and Hare were not caught because,unsurprisingly,the bodies of their victims were never found by the police.They were eventually arrested and put ontrial in 1829.The judge showed mercy to Hare and he was released but Burke was found guilty and his punishment was to be hanged.Appropriately,his body was given to the medical school and he ended up on the dissecting table,just like his victims.In one small way，justice was done.Now,over 1 50 years later,surgeons do not need the help of criminals to learn their skills.However,the science of surgery could not have developed without their rather gruesome（令人毛骨惊然的）help. The problem facing British surgeons in the early 1 9th century was thatA:some ii{nesses remained incurable.B: few people were willing to work as surgeons.C: medical expenses were too high.D:dead bodies were not easily available.
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第三篇 The Body ThievesIn the early nineteenth century in Britain,many improvements were being made in the world of medicine.Doctors and surgeons were becoming more knowledgeable about thehuman body.Illnesses that had been fatal a few years before were now curable.However, surgeons had one problem.They needed dead bodies to cut up,or dissect（解剖）.This was the only way that they could learn about the flesh and bones inside the body,and the only way to teach new surgeons to carry out operations.The job of finding these dead bodies was carried out by an unpleasant group of people called "body snatchers". They went into graveyards（墓地）at night and, using woodenshovels to make less noise,dug up any recently buried bodies.Then they took the bodies to the medical schools and sold them.A body could be sold for between ￡5 and ￡10, which was a lot of money at that time.The doctors who paid the body snatchers had an agreement with them一they never asked any questions.They did not desire to know where the bodies came from,as long as they kept arriving.The most famous of these body snatchers were two men from Edinburgh called William Burke and Wil!iam Hare.Burke and Hare were different because they did not」ust dig up bodies from graveyards.They got greedy and thought of an easier way to find bodies. Instead of digging them up,they killed the poorer guests in Hare's small hotel.Dr Knox, the respected surgeon they worked for,never asked why all the bodies they brought him had been strangled（勒死）.For many years Burke and Hare were not caught because,unsurprisingly,the bodies of their victims were never found by the police.They were eventually arrested and put ontrial in 1829.The judge showed mercy to Hare and he was released but Burke was found guilty and his punishment was to be hanged.Appropriately,his body was given to the medical school and he ended up on the dissecting table,just like his victims.In one small way，justice was done.Now,over 1 50 years later,surgeons do not need the help of criminals to learn their skills.However,the science of surgery could not have developed without their rather gruesome（令人毛骨惊然的）help. Burke and Hare differed from other body snatchers in thatA:they got other people to dig up bodies for them.B: they sold the bodies only to one surgeon.C: they dug up bodies not just from graveyards.D: they resorted to murder to get bodies.
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第三篇 The Body ThievesIn the early nineteenth century in Britain,many improvements were being made in the world of medicine.Doctors and surgeons were becoming more knowledgeable about thehuman body.Illnesses that had been fatal a few years before were now curable.However, surgeons had one problem.They needed dead bodies to cut up,or dissect（解剖）.This was the only way that they could learn about the flesh and bones inside the body,and the only way to teach new surgeons to carry out operations.The job of finding these dead bodies was carried out by an unpleasant group of people called "body snatchers". They went into graveyards（墓地）at night and, using woodenshovels to make less noise,dug up any recently buried bodies.Then they took the bodies to the medical schools and sold them.A body could be sold for between ￡5 and ￡10, which was a lot of money at that time.The doctors who paid the body snatchers had an agreement with them一they never asked any questions.They did not desire to know where the bodies came from,as long as they kept arriving.The most famous of these body snatchers were two men from Edinburgh called William Burke and Wil!iam Hare.Burke and Hare were different because they did not」ust dig up bodies from graveyards.They got greedy and thought of an easier way to find bodies. Instead of digging them up,they killed the poorer guests in Hare's small hotel.Dr Knox, the respected surgeon they worked for,never asked why all the bodies they brought him had been strangled（勒死）.For many years Burke and Hare were not caught because,unsurprisingly,the bodies of their victims were never found by the police.They were eventually arrested and put ontrial in 1829.The judge showed mercy to Hare and he was released but Burke was found guilty and his punishment was to be hanged.Appropriately,his body was given to the medical school and he ended up on the dissecting table,just like his victims.In one small way，justice was done.Now,over 1 50 years later,surgeons do not need the help of criminals to learn their skills.However,the science of surgery could not have developed without their rather gruesome（令人毛骨惊然的）help. The body snatchers used wooden shovels becauseA: they did not wish to spoil the dead bodies.B: they wanted to keep the bodies to themselves.C:they were afraid of being caught.D: they were careful not to disturb anyone.
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Some young soldiers who had recently joined the army were being trained in modern ways of fighting,and one of the things they were shown was how an unarmed man could trick an armed enemy and take his weapon away from him．First one of their two instructors took a knife away from the other,using only his bare hands;and then he took a rifle away from him in the same way．After the lesson,and before they went on to train the young soldiers to do these things themselves,the two instructors asked them a number of questions to see how well they had understood what they had been shown．One of the questions was this:“Well,you now know what an unarmed man can do against a man with a rifle．Imagine that you are guarding a bridge at night,and that you have a rifle．Suddenly you see an unarmed enemy soldier coming towards you．What will you do?”
The young soldier who had to answer this question thought carefully for a few seconds before he answered,and then said,“Well,after what I have just seen,I think that the first thing I would do would be to get rid of my rifle as quickly as I could,so that the unarmed enemy couldn't take it from me and kill me with it!”
The soldiers practiced__.A.before being instructed
B.after being instructed
C.while being instructed
D.two days later
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Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m（￡422m）,easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
The best title of this text would be______A.The Changing Place of Galleries
B.The Proper Opening ofArt Fairs
C.The Thorny Questions ofArt Fairs
D.The Hopeless Stories ofArt Market
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Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m（￡422m）,easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
Which of the following is not true about art market according to Paragraphs 4 and 5?A.London's art market boosted favorite mainly from overseas.
B.London's new rich often spend multiple times in the capital and do not know it.
C.commercial galleries used to depend on regular from wealthy people.
D.people in recent years visit galleries for events and parties.
考题
Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m（￡422m）,easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
According to the art dealers,after______,it will make their incomes increase.A.art movement in some groups
B.setting modem paintings and sculptures
C.holding an expo
D.reporting an art fair through The Economist
考题
Text 4 Shortly after The Economist went to press,about 25,000 people were expected to rurn up at the London Art Fair.Your correspondent visited just before,as 128 white booths were being filled with modern paintings and sculptures.Dealers clutched mobile phones to their ears or gathered in small groups.They seemed nervous-as well they might be."I can eam a year's living in one fair,"said one harried dealer while stringing up a set oflights.Before 1999 London had just one regular contemporary art fair,remembers Will Ramsay,boss of the expanding Affordable Art Fair.This year around 20 will be held in Britain,mostly in the capitaL Roughly 90 will take place worldwide:The success of larger events such as Frieze,which started in London,has stimulated the growth of smaller fairs specialising in craft work,ceramics and other things.Art14,which started last year,specialises in less well-known intemational galleries,showing art from Sub-Saharan Africa,South Korea and Hong Kong.One explanation for the boom is the overall growth of the modern-art market.Four fifihs of all art sold at auction worldwide last year was from the 20th or 21st century,according to Artprice,a database.In November an auction in New York of modern and contemporary art made$691m（￡422m）,easily breaking the previous record.As older art becomes harder to buy-much ofit is locked up in museums-demand for recent works is rising.London's art market in particular has been boosted by an influx of rich immigrants from Russia,China and the Middle East."When I started 23 years ago I had not a single non-Western foreign buyer,"says Kenny Schachter,an art dealer."It's a different world now."And London's new rich buy arl differently.They ofien spend little time in the capital and do not know it well.Traipsing around individual galleries is inconvenient,particularly as galleries have moved out of central London.The mall-like set-up of a fair is much more suitable.Commercial galleries used to rely on regular visits from rich Britons seeking to fumish their stately homes.Many were family friends.The new art buyers have no such loyalty.People now visit galleries mainly to go to events and to be seen,says Alan Cristea,a gallery owner on Cork street in Mayfair.Fairs,and the parties that spring up around them,are much better places to be spotted.Some galleries are feeling squeezed.Bemard Jacobson runs a gallery opposite Mr Cristea.The changing art market reminds him ofwhen his father,a chemist,was eclipsed by Boots,a pharmaceutical chain,in the 1960s.Seven galleries in Cork Street relocated this month to make way for a redevelopment;five more may follow later this year.Yet the rise ofthe fairs means galleries no longer require prime real estate,thinks Sarah Monk of the London Art Fair.With an intemational clientele,many can work online or from home.Although some art fairs still require their exhibitors to have a gallery space,increasingly these are small places outside central London or beyond the city altogether.One gallery owner says few rich customers ever visit his shop in south London.He makes all his contacts at the booths he sets up at fairs,which might be twice the sizc of his store."It's a little like fishing:'he explains."You move to where the pike is."
Art fairs are expanding prosperously in that______.A.the cost ofholding an art fair becomes affordable
B.cross-trade galleries take place worldwide
C.contemporary art market is growing faster than before
D.the rapid growth of the modern art market is mainly in developing countries
考题
Although the Wars of the Roses were fought intermittently for（）years,ordinary people were little affected and went about their business as usual.A20B30C40D50
考题
单选题Although the Wars of the Roses were fought intermittently for（）years,ordinary people were little affected and went about their business as usual.A
20B
30C
40D
50
考题
单选题Leslie’s upset. She invited about 20 people to her house for a party and then no one showed up. The least they ______ have done was to call to say they ______ to go.A
might; were going B
could; weren’t goingC
might; weren’t supposed D
should; were going
考题
单选题While we were in London that year, the London Bridge ______ .A
is being repairedB
was being repairedC
has been repairedD
had been repaired
考题
单选题What happened to the two seamen in the end? ______.A
They were killed in the explosion.B
They survived but were badly burned.C
They died shortly after reaching the beach.D
They were blown off the ship and swam ashore.
考题
单选题Shortly after the accident, two ______ police were sent to the spot to keep order.A
dozen ofB
dozensC
dozenD
dozens of
考题
单选题Hundreds of years ago, life was much harder than it is today because _____.A
there were not modern machinesB
there was no modern medicineC
both A and BD
there were not many people
考题
单选题Leslie’s upset. She invited about 20 people to her house for a party and then no one showed up. The least they _____ have done was to call to say they _____ to go.A
might; were goingB
could; weren’t goingC
might; weren’t supposedD
should; were going
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