英语专业四级八级考试常用词汇大赏(4)

发布时间:2021-12-11


了解专四专八听力的常用词汇,可以在考试时,快速抓取有用的信息。一起跟着51题库考试学习网了解一下常用词汇有哪些。

英语专业四级八级考试听力常用词汇:

住房规定

rules规定,non-smoker不吸烟的人, no smoking不准吸烟,non-drinker不饮酒的人,no drinking不准喝酒,no pets allowed不准养宠物,allergies过敏,be allergic to对……过敏, call/ask the landlord/elected floorseniors层长(每层楼的管理员), front door前门,key钥匙 ,emergency紧急情况,fire doors/escape消防通道,smoking only allowed on the balconies只准在阳台吸烟 , no changes can be made to meal times准时就餐,moving company搬家公司,moving reasons,floorplan平面图,layout布局。

饮食

vegetarian素食的人,meal餐,饭,weekdays/workdays/during the week周一到周五,take-away外卖,cheese奶酪,(French)fries薯条,fried rice炒饭,chips薯片,sandwiches三明治,toast吐司,烤面包,hamburgers汉堡包,noodles面条,Indian Curry咖喱饭,salad沙拉,coke开口可乐,soda汽水,juice果汁,fruits水果,pie馅饼,spicy辛辣的,香辣的,tasty好吃的,sour酸的,sweet甜的,bitter苦的,hot辣的,salty咸的,good quality优质的,filling饱肚的。

问卷调查的题型及回收率

simple questions,short answer questions简答题,multiple choice选择题,matching搭配题,rate打分,rank排序,classification分类,gap filling填空

statistics统计,datum(复数:data)数据,investigation调查,quantitative数量的/定量的,significant differnece显著的差异,analyze/analyse data分析数据,results结果,conclusion结论,opinion观点,interpretation解释,private opinions个人观点, public opinions公众观点。

床上用品

pillow枕头, pillow case枕头套, bed linen/sheet床单, , mattress/mat床垫,springs弹簧床, blanket毛毯, towel浴巾,毛巾 ,cushion(沙发)靠垫

电话询问

Is it available now? 现在能住吗when will it be available?How long has it been empty/vacant for?空多久了

Is it furnished? What is the rental price?租金 How is it cooled /heated? 怎样制冷/采暖

以上就是今天51题库考试学习网给考生们分享的英语专业四级八级考试听力部分的常用词汇,希望对考生们有所帮助。任何英语考试都离不开词汇的积累,词汇积累得越多,也会越有信心。


下面小编为大家准备了 专四专八考试 的相关考题,供大家学习参考。

Charles thinks that nowadays running a small shop becomes increasingly difficult ______.

A.so his shop will surely go bankrupt

B.but his shop will surely make good money

C.and the only way to save his shop is to change the government

D.because it's hard to keep up with the rising cost

正确答案:D

______'s Leaves of Grass is a collection of poems written in free verse.

A.Robert Frost

B.T.S. Eliot

C.Walt Whitman

D.Ezra Pound

正确答案:C

Practically speaking, the artistic maturing of the cinema was the single-handed achievement of David W. Griffith (1875-1948). Before Griffith, photography in dramatic films consisted of little more than placing the actors before a stationary camera and showing them in full length as they would have appeared on stage. From the beginning of his career as a director, however, Griffith, because of his love of Victorian painting, employed composition. He conceived of the camera image as having a foreground and rear ground, as well as the middle distance preferred by most directors. By 1910 he was using close-ups to reveal significant details of the scene or of the actors. The exploitation of the camera's possibilities produced novel dramatic effects. By splitting an event into fragments and recording each from the most suitable camera position, he could significantly vary the emphasis from camera shot to camera shot.

Griffith also achieved dramatic effects by means of creative editing. By juxtaposing images and varying the speed and rhythm of their presentation, he could control the dramatic intensity of the events as the story progressed. Despite the reluctance of his producers, who feared that the public would not be able to follow a plot that was made up of such juxtaposed images, Griffith persisted, and experimented as well with other elements of cinematic syntax that have become standard ever since. Those included the flashback, permitting broad psychological and emotional exploration as well as narrative that was not chronological, and the crosscut between two parallel actions to heighten suspense and excitement. In thus exploiting fully the possibilities of editing, Griffith transposed devices of the Victorian novel to film and gave film mastery of time as well as space.

Besides developing the cinema's language, Griffith immensely broadened its range and treatment of subjects. His early output was remarkably eclectic, it included not only the standard comedies, melodramas, westerns, and thrillers, but also such novelties as adaptations from Browning and Tennyson, and treatments of social issues. As his successes mounted, his ambitions grew, and with them the whole of American cinema. When he remade Enoch Arden in 1911, he insisted that a subject of such importance could not be treated in the then conventional length of one reel. Griffith's introduction of the American-made multireel picture began an elaborate historical and philosophical spectacle. It reached the unprecedented length of four reels, or one hour's running time. From our contemporary viewpoint, the pretensions of this film may seem a trifle ludicrous, but at the time it provoked endless debate and discussion and gave a new intellectual respectability to the cinema.

The author of this passage seems to imply that Victorian novels ______.

A.are like films

B.may not narrate events chronologically

C.exploit cinema's language

D.feature juxtaposed images

正确答案:B

The Americans won the war of independence in the decisive battle at ______.

A.Boston

B.Yorktown

C.Norfolk

D.Pittsburgh

正确答案:B

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