大学德语专业,马上毕业了,拿了德语专四专八,不...

发布时间:2021-12-01


大学德语专业,马上毕业了,拿了德语专四专八,不知道出来之后适用性怎么样?


最佳答案

———作为德语专业的,特地来写答案挺一下答案。自己专业更清楚毕业后的德语的实用性。另外,考虑到行业在不断变化,这种问题问刚毕业的学长学姐得到的回答最准确了,别去问那些已经从业了三四年的人员,天真的boy和girl们。浪费大把时间学德语,最后学的一塌糊涂,劝都劝不住。本身我们德语系本科毕业生德语就很不怎么样(我说得不怎么样是指无法做到近母语者水平),何况他们!!!不过,我何必劝呢,让这群傻子学吧,毕竟教他们几乎是我们德语系毕业后唯一的就业机会和金钱来源了。下次,有人再劝你说学小语种多就业机会的时候,好好想想是不是利益相关者吧。所以,结论是,学德语有用,特别有用,增加就业机会啊,好好努力学吧。还有那些不了解情况的外行们,希望你们可以对别人负责,不是行内人知情人,就不要去当热心人,好心办坏事,听说过吗?哦对了,我是985 211德语算是王牌专业的大学毕业,刚刚毕业,全班无一人找到与德语有一点点相关的工作。一直觉得我们圈子的人都在粉饰太平。


下面小编为大家准备了 专四专八考试 的相关考题,供大家学习参考。

What is TRUE about the Irish Republic's economy?

A.It was the most successful among the EU countries.

B.It has increased 8% in the last five years.

C.The unemployment rate has reached its lowest level for 5 years.

D.The commodity prices have decreased greatly in the country.

正确答案:A

As can be gathered from the passage, before 1910 the normal running time of a film was probably ______.

A.15 minutes or less

B.between 15 and 30 minutes

C.between 30 and 45 minutes

D.1 hour or more

正确答案:A

Practically speaking, the artistic maturing of the cinema was the single-handed achievement of David W. Griffith (1875-1948). Before Griffith, photography in dramatic films consisted of little more than placing the actors before a stationary camera and showing them in full length as they would have appeared on stage. From the beginning of his career as a director, however, Griffith, because of his love of Victorian painting, employed composition. He conceived of the camera image as having a foreground and rear ground, as well as the middle distance preferred by most directors. By 1910 he was using close-ups to reveal significant details of the scene or of the actors. The exploitation of the camera's possibilities produced novel dramatic effects. By splitting an event into fragments and recording each from the most suitable camera position, he could significantly vary the emphasis from camera shot to camera shot.

Griffith also achieved dramatic effects by means of creative editing. By juxtaposing images and varying the speed and rhythm of their presentation, he could control the dramatic intensity of the events as the story progressed. Despite the reluctance of his producers, who feared that the public would not be able to follow a plot that was made up of such juxtaposed images, Griffith persisted, and experimented as well with other elements of cinematic syntax that have become standard ever since. Those included the flashback, permitting broad psychological and emotional exploration as well as narrative that was not chronological, and the crosscut between two parallel actions to heighten suspense and excitement. In thus exploiting fully the possibilities of editing, Griffith transposed devices of the Victorian novel to film and gave film mastery of time as well as space.

Besides developing the cinema's language, Griffith immensely broadened its range and treatment of subjects. His early output was remarkably eclectic, it included not only the standard comedies, melodramas, westerns, and thrillers, but also such novelties as adaptations from Browning and Tennyson, and treatments of social issues. As his successes mounted, his ambitions grew, and with them the whole of American cinema. When he remade Enoch Arden in 1911, he insisted that a subject of such importance could not be treated in the then conventional length of one reel. Griffith's introduction of the American-made multireel picture began an elaborate historical and philosophical spectacle. It reached the unprecedented length of four reels, or one hour's running time. From our contemporary viewpoint, the pretensions of this film may seem a trifle ludicrous, but at the time it provoked endless debate and discussion and gave a new intellectual respectability to the cinema.

The author of this passage seems to imply that Victorian novels ______.

A.are like films

B.may not narrate events chronologically

C.exploit cinema's language

D.feature juxtaposed images

正确答案:B

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